No Escape

A couple of years ago I picked up a new release on Rev by a newish band called Spaced. I really liked that record, and also picked up their earlier full length, 'Spaced Jams' too. And then last year they released a follow up 12" titled 'No Escape'. I figured that I would pick one up, and have recently got around to it.

As is the case with most releases these days, there were a whole range of vinyl colours pressed, with none of them looking particularly attractive as far as I could tell. In the end I went with this 'Yellow and Black Ice Cloudy' version (why the fuck we need the words 'ice cloudy' in that description, I don't know) because it is the rarest, and was the easiest for me to get my hands on. But clearly it does not go particularly well with the (terrible) cover art.

Despite this record scoring low on the aesthetic scale, it does do very well on the music front. Without doubt this band is just getting better and better as they go on, and in my opinion this is their best release yet. Yup, this is a really great record, and without doubt my current go to when I need something at the harder end of the spectrum. Sadly, however, it's quite short. There are five songs here and they are over in just over ten minutes, so this could easily have been a 7"... if it weren't for the fact that 7"s aren't really in fashion anymore. Overall, a great EP, but there probably should have been more songs given the cost of 12"s these days.

Sunshine, Lollipops & Rainbows

I gave up on Record Store Day years ago. I literally don't even look at what is being released for it anymore. Then last year my attention was drawn to a Dwarves record that sounded interesting which it turned out was being touted as a Record Store Day release. It sounded kinda cool, but then when it became available for sale, the price was utterly stupid (and I'm not referring to the second hand market). I decided not to bother chasing one down. However, a few days later, the band announced that they had 300 copies for sale directly in their online store for a much lower price than every other fucker. And even better, their version came with an extra limited, numbered cover. I was all in.

Ignoring the limited cover, this is a picture disc that comes in a gatefold sleeve, which is signed by the singer.

This version also comes with a few other extras - a copy of an old flyer, a sticker and a mock $100 bill (Bobby bucks) and a sticker:

So this record is actually an old recording. The story is that when the bane went into the studio to record their first two song 7", they also recorded twelve other songs, most of which then ended up being re-recorded and released as their 'Blood, Guts & Pussy' LP. So here we are all these years later and those 'demo' recordings of the first LP have been released. And what makes this so cool is that they have used original, unused photos from the first LP cover shoot, and also used the same layout style as the original release.

Here are some photos I took that show the orignal picture disc and the original LP sleeve (which did not come with the picture disc version) next to this new release to show the comparison. In all photos, the original is on the left and the new release is on the right.

Ever aspect of this is really well done. And because the recording is from back in the day, it sounds great. And even though I generally think that Record Store Day seems to be totally pointless, this is a good example of something that I am really glad was brought into existence.

Primal Rock Therapy

I pretty much had a year off in 2025, but I'm now right back on my 2024 mission to pick up old Sub Pop releases again. The late 80s and the early 90s were such a great and exciting time for music that there are so many forgotten gems out there that still sound good in 2026. And some of these things are really very affordable in the current day, which is a nice bonus.

Blood Circus was one of the first bands that Sub Pop put out. They had a 7" that was the second 7" that the label released. Their full length, 'Primal Rock Therapy' was then the ninth 12" that they put out, back in January 1989.

Apparently the first 1,000 copies of this LP were pressed on red vinyl. It also originally had some kind of hype sticker on the shrinkwrap, but sadly this copy doesn't have it. The sticker simply had the name of the band and the record, probably as whoever designed the front cover art didn't believe that text was in any way necessary.

Reading about this record all of these years later, it seems that the band didn't survive much longer after this came out, apparently partly due to the terrible reception this received. I'm really surprised by this because, to my ears in 2026, this sounds pretty good. It is without doubt a text book example of the late 80s Seattle grunge sounds that became huge just a couple of years later.

Tales Of Never Letting Go

I've now started to pick up the 'hard copies' of my favourite 2025 new releases, so am getting them up here in the usual late fashion.

One record that came out last year that nobody saw coming was the Miltown LP 'Tales Of Never Letting Go'. The band had Brian McTernan (Battery, Ashes) on guitar (I think) and Jonah Jenkins (Only Living Witness, Milligram) on vocals. The sum total of their output was a 7" in 1996 on Hydrahead Records, and a split 7" with Cast Iron Hike in 1997, and a CD that combined both (plus one extra song) onto one digital disc. Such was my love for this band back then that I actually forked out for the CD just to get that one extra song. So imagine my excitement when, last year, out of the blue it was announced that they actually recorded an album back in 1997 that was now going to be released. God damn.

There were two colours of vinyl pressed (as well as black), and I opted for the 'tangerine' (aka fucking orange) because there were slightly fewer of them, and because I saw a pic online and it looked nice.

So yes, this is a great record, and I feel really grateful that I am still around and in touch enough that I finally got to hear it. That said, one thing that is ever so slightly disappointing to me is that, of the 13 songs included on here, three were on the 90s 7"s, which means that every time I listen it feels like a new record is being interrupted by an old one. But that's just me. For anyone who is not quite as familir with the old songs, this is a pretty much perfect record.

Nardcore Tests

Over the last few years I've picked up some great Nardcore records. For anyone who is unfamilliar, 'Nardcore' is a term that describes hardcore punk bands from Oxnard, a city that is located in Southern California, roughly 50 miles north of Los Angeles, and has a strong skateboard and surfing community as well as more than its fair share of hardcore bands, dating back to the early 80s.

Back in 2022 I picked up a compilation LP that Indecision Records released in 2020 called 'Nardcore For Life'. I really enjoyed that record and it definitely helped ignite an interest in the Nardcore scene. Recently a test press appeared on eBay and I was intent on winning it. In the end I got it, and for only $23.46 (plus postage). Like a few other Indecision Records tests from the last few years, this comes in a spray painted sleeve.

A couple of months after I picked up the 'Nardcore For Life' comp, in November 2022, I picked up another compilation called simply 'Nardcore'. The version I got was a repress on It's Alive Records, although the compilation was originally released by Mystic Records back in 1984. Well, I got a test press of this one too, and it came in a regular sleeve:

I'm really not sure which version this is a test press of. It has a 2018 date written on the labels, but also has 'Mystic' written on it. According to discogs (which isn't always right), the only pressing of this in 2018 was on It's Alive Records, not Mystic. So something doesn't quite add up. But anyway, whatever, it's still a cool find.

Blue Balls

Record collecting moves in funny ways sometimes. A couple of weeks ago, I had no idea that there were two very different blue vinyl variants of 'God's Balls', the first full length by Tad. I've owned a light blue copy for a long time, but only recently I saw a pic for a darker, greyish blue copy. I had literally never seed one before in my life. Then, as if by magic, a copy appeared for sale in the UK. I have loved this record since about 1992, so given that the price wasn't ridiculous, I felt that I couldn't really not buy it.

Even though this version is referred to as 'blue', depending on the light it can look greyish or slightly lilac.

Obviously as soon as I received this I had to pull my other copy out for a comparison. As the photo shows, the colours are quite different. And this is a rare example of the word 'variant' being used correctly, as these were both part of the same pressing.

Of course, having been happy with one copy of this record for years, I now feel that I am going to need to pick up a first pressing copy too. I was never overly fussed about one of these as they are on black vinyl. However, the crucial difference is that the first press copies come in a gatefold sleeve. So clearly, I need to find one. I mean, why have one when you can have three?

Four More Dicknails

I added a lot of Sub Pop 7"s to my collection in 2024, but the obsession began at the end of 2023 with a Nirvana 7", and this led me to pick up a Hole 7" on Pink vinyl. At the time, I seemed to think that one copy of this 7" would be enough, but then when the Sub Pop 7" purchasing got into full swing a couple of months later, I added another copy on and blue vinyl. Now here we are in 2026, and a week ago I was sat around one evening and ended up looking for more copies of this 7" for sale, and I ended up buying four copies, which all came a few days later.

I was happy to get this grey vinyl copy as this is a true first press. It comes in a foldover sleeve. Even though it is the most essential copy to own, it's also possibly the most common, with 3500 copies pressed.

Well anyway, as I mentioned, I also bought three other copies at the same time:

The green is a really nice colour, and also comes in a first press foldover sleeve and also has first press labels, although it is not a first press. The turquoise and purple copies are later pressings, denoted by the additional text on the label, and the fact that they come in a glued card sleeve.

Clearly I'm too far into this to give up now, having six different versions. As far as I can tell, there are another four or five copies to go, excluding black. But as with all Sub Pop 7"s, some of those colours are really hard to find, so I'm not expecting much progress on this one for a while.

Uncut

Next in my series of 'cheap records that nobody knows or cares about anymore' is a record that I discovered from my journey into the early Sub Pop catalogue in 2024. I heard some great (old) bands for the first time, and some of them I knew I would explore further at some point. I picked up a 7" by a band called Sister Double Happiness, and it was an unexpected gem. Recently I got around to looking at what else they had put out, and I found a green vinyl copy of their third LP, 'Uncut', for sale in the UK for a low price.

This was released by Sub Pop in 1993. The hype sticker on the cover says that there were 500 on green vinyl. There were also copies on black, but no idea how many.

This record is my current obsession. I played it three times today. At this rate I will be sick of it within three weeks, but for now I cannot wait to get up in the morning to put this on. On paper I would avoid this, as the band is described as 'an alternative blues rock band', but it's so good. The band was active from 1986-1995, and there are clues that they were a bit of a big deal in some circles back when. Their first LP was released by SST Records, then they jumped to a major label for the next one, then they were on Sub Pop. In addition, the band contained two members of The Dicks, a punk band whose debut 7" ('Hate The Police') will now set you back a couple of grand.

If you are remotely curious in any way, please check out 'Doesn't Make Sense'. I can't see how anyone could not like this song.

Ritual Device

I'm going through a phase at the moment of trying to seek out bands that nobody knows or cares about anymore. Generally, a bunch of stuff that I have been investigating is by bands that were active in the late 80s or early 90s. I genuinely feel that the late 80s and early 90s was the most inventive time for music generally, so even second and third tier bands from then sound more interestnig than a lot of modern bands. I feel that I'm more excited by unearthing stuff that is long forgotten and pretty much ignored than trying to get into whatever the latest hardcore buzz band is. But I think there's also a part of this that is fun because it's possible to find some records for sale that are really cheap and easy to buy.

Back at the start of the 1990s, Redemption Records put out some great records. Back when I was getting into straight edge hardcore it felt like everybody had the same records in their collection, and without doubt everyone had three 7"s put out by Redemption Records - the Four Walls Falling 'Burn It / Happy Face' 7", Ressurection 'Culture' 7", and Encounter 'Lost' 7". But the rest of the label's output is a little less well known. Recently I stumbled across an LP by a band called Ritual Device titled 'Henge' and the Redemption logo on the back made me curious. I checked this out online and then decided to buy it.

As far as I can tell, all the vinyl copies were on this clear orange colour.

Turns out that around 1993, this band were predicted to be huge. Apparently the CD version of this sold over 10,000 copies, and the singer of The Offspring can be seen wearing a Ritual Device shirt in one of their videos. I can see why this was popular back then. Turns out that they came from Omaha, Nebraska which is right in the middle of America (i.e. miles from anywhere) and they broke up pretty much at the peak of their popularity as their singer decided to move to San Francisco.

,p>To me this sounds like kind of noisy rock that comes in somewhere between Tad and The Jesus Lizard. And in 2026, this sounds kinda frsh and interesting.

Punch N Judy

The Fluid is a band that have always been, in my mind, a b-list band. For the longest time it felt that the only reason that anyone had heard of them was that they once did a split 7" with Nirvana. But even with that in their armoury, it feels that they never really gained much recognition. I guess in recent years someone at Sub Pop must have thought the same, and decided that they wanted to try to change that, so a couple of years ago their catalogue got reissued. I wasn't interested in the represses of the records that I already have, but I was more than happy to pick up a colour vinyl repress of their first LP, 'Punch N Judy':

This LP was originally put out ni 1986 by a label called RayOn Records, which it turns out only ever released this one record. These days it sells for a reasonable amount, but it's not that expensive really. But still, it would likely cost me three to four times as much as the reissue.

I have two other Fluid 12"s (they were actually featured on here as the third post I ever made, back in Feb 2008), and this one sounds a little different. Being their first record, this one sounds a little more raw. It's really good stuff, if you like this kinda thing.

Well, you know how it goes... when it rains it pours, so to speak. So after picking this up I also stumbled on another copy of their Sub Pop 7".

The good thing about this record is that there are lots of different colours, and they are all pretty cheap. A collector's dream.

A Benefit For Big Frank

Last year I went to the Big Frank Harrison memorial show in Orange County. It was a great day for me that I will never forget, but it was also slightly sad to remember the reason that the show was happening in the first place.

Thinking aboutBig Frank and his label, Nemesis Records, and some of the bands he put out reminded me that there was a benefit record put together for Frank a few years ago, in 2018. I felt compelled to pick one up, even though the original point of it has elapsed. There were two different colours of vinyl pressed, but I got lucky and ended up with a test press.

This was put out by Not Like You Records in 2018 and features a bunch of bands selected by Big Frank himself. There are 12 songs / bands on here of varying styles and age. Some I have heard of (Integrity, Himsa, Terror, Nails, Done Dying), and others I haven't heard or have never been interested in (All Pigs Must Die, Electric Frankenstein, Pressure Point, Leviathan, Whiskey Rebels, Take Offense, Disfear). And whilst compilations seem slightly less pointless in the modern era than they used to be in the pre-internet world, this one seems more significant than most, especially with hindsight.

Half Off Is Alive

I've picked up a few releases from It's Alive Records the past few years. Most of the records that I have bought have been recent repressings of older releases, but most are done with so much care and attention that they're much nicer than the original pressings, being packed with extras like flyers, posters and stickers. And as often happens, once I pick up a couple, I start looking around at what else there is, and it then becomes a collection. So recently I was looking around trying to figure out what I was missing, and after picking up a couple more at the end of last year I think I'm getting close to having a full set.

This Half Off 7" was originally released in 1992. Or at least, the first pressing was. This green vinyl version is a second pressing, but I'm not sure how much later it came out after the original pressing.

This record is actually It's Alive Records number 1, and it's a slightly odd one. The A side contains cover songs (with Black Flag's 'Six Pack' and Wire's '12XU'), and the B side contains a couple of Half Off songs recorded live. So all in all, a kind of pointless record, although as is the case with all the records on this label, it sure looks nice.

One thing that's really cool about this 7" is that one of the inserts contains the pressing information for all of their releases. I have 4 colours of their 'Shoot Guns..' 7" and never knew the pressing info until now.

Unanimous Necrophones

It was about three and a half years ago that I started to pick up the Lungfish represses that Dischord started putting out. I'd never listened to the band before, but got sucked in by the cover art of one of the records, and then I got slightly addicted and ended up buying 4 colour vinyl represses of their LPs in 2022 ('Love Is Love', 'Rainbows From Atoms', 'Pass And Stow' and 'Sound In Time'). Then in 2023 I picked up 3 more ('A.C.R. 1999', 'Talking Songs For Walking' and 'Indivisable'). After that things seemed to slow down, with nothing appearing in 2024, and then last year a couple more followed ('Feral Hymns' and also the '10 East' 7").

Well, here we are at the start of 2026 and I've just got around to grabbing the latest two in the series. The first is 'Necrophones', which was released as Dischord 119 back in the year 2000. This is / was their 9th full length, and this white vinyl repress came out at some point last year but I only just got around to buying one.

I'm not sure whether this next one technically came out right at the very end of 2025, oo right at the very start of 2026, but it's definitely 'hot off the press'. This is a nice looking clear green vinyl repress of the 1999 LP 'Unanimous Hour'.

This now meanns that I have 10 Lungfish LPs, which seems insane. And the game still isn't over. By my calculation there are now only two more Lungfish LPs that have not been repressed... the 7th LP 'Artificial Horizon', and the the first LP 'Necklace Of Heads'. I'm going to guess that both will be repressed by the end of the year, so let's see what 2026 has in store...

Banging The Drum

Another day, another Dischord release...

Despite having been a fan of Scream for quite a few years, I never really felt overly interested in their third LP, 'Banging The Drum'. I'm not sure why this is the case. I think somehow I had tis idea that this was widely regarded as their worst LP, although not sure where I would have got this idea from. Also, I think that I previously thought that the cover art, which incorporates a different font for the band name, signalled a change in style, like a lot of hardcore bands went through in the late 80s as some kind of attempt to find wider commercial success. Whatever. The point is that I was never really bothered about this record, but my recent increased interest in Dischord stuff made me disregard all previous thoughts when I noticed a copy of this come up for sale in the UK recently.

What was immediately interesting was that, despite me partly rejecting this previously based on the front cover, a few years later and I look at it and think that it's fantastic. Ok, the band name doesn't look good in this font, but the artwork and the colour used for the band name looks great.

Musically, this (unsurprisingly) sits between 'This Side Up' and 'Fumble'. It's not really significantly different to either, and just marks in step in their evolution. So god only knows where I got my idea from that this record sucked. It's really good. Well, apart from the opening 57 second song 'Banging The Drum' which I find irritating and can't wait to finish. But yeah, this record is great and I am annoyed at myself for ignoring it for so long. Oh well, can't listen to everything I guess.

Nightmares Of The West

Strike Anywhere was a band that I didn't fully appreciate when I first heard them. I picked up their debut LP 'Change Is A Sound' direct from the label when it came out back in 2001. At that point in time, I was a loyal Jade Tree customer, so I just bought records by bands I had never heard of just because of the label they were on. Back then, the Strike Anywhere record didn't grab me too much. You know how it is. Sometimes a record lands in your life at the wrong time. But in recent years this is a band I have really starting to appreciate, so when I saw this copy of their 2020 LP 'Nightmares Of The West' on sale for $10 it was an easy decision to grab it.

When I pulled this record out of the sleeve, I was disappointed at how damn ugly it was. But the price was really good, so I still took it. Turns out that this is the second most limited of the many colours available. And it does kinda go with the artwork (well, until you hold it up to the light, when the black bits actually turn out to be yellow).

I've only got around to listening to this one this week, but it's undoubtedly a good record. I'm not quite sure where this ranks in their catalogue as I haven't got through it all yet. But this is definitely going to get some serious play in the coming weeks.

Pure Chewing Satisfaction

One of the first hardcore punk whatever bands that I got into when I was a 16 year old skateboarder was The Dead Kennedys. As a result I got into other related stuff, especially Lard, the collaboration between Jello Biafra and dudes from Ministry. I absolutely loved the first Lard LP back in 1991/92, but then shelved it a year or so later when straight edge hardcore entered my life.

A year or so ago I found out that there was a second Lard LP, 'Pure Chewing Satisfaction', released in 1997. Maybe I did know about it back when it came out and decided I wasn't interested I downloaded it and, all these years later, enjoyed it. But I was slightly surprised at how much vinyl copies were selling for. I wanted a copy, but not at the price I would have to pay. Fortunetely, and by chance, the record has just received the repress treatment...

This pink vinyl pressing is out of 1000 copies made for record stores. It's nice that they picked a colour that sits so nicely with the artwork.

Interestingly, I have not enjoyed this one as much as I loved their earlier records. But I'm not sure whether that's because this record isn't as good, or whether it's just that my tastes have changed a bit over the last 30 years or so. Or maybe its just that the first album is completely untouchable so nothing could stand up to it. Either way, it's kinda cool that I am back listening to Lard in 2026.

Fist Sized Chunks

I spent a lot of time in 2024 listening to a large number of early Sub Pop 7"s. It was an interesting journey, which got me checking out lots of bands I had never heard before. Some of them I knew that I would check out further in time, one of which was Skin Yard after I enjoyed their 'Start At The Top' 7".

I recently played that 7" again and then went straight to the internet to see whether I could find any more of their records for sale. I ended up picking their third LP from 1990, 'Fist Sized Chunks', for three reasons. Firstly, because it was on colour vinyl, secondly because it was relatively cheap, and thirdly because it was in the UK.

As I mentioned in my last post about this band, they had Jack Endino on guitar, who is somewhat of a legend in the Seattle grunge scene of the late 80s / early 90s, and who has spent most of his life recording & producing other records (including Nirvana's 'Bleach'). This record right here is a very typical grunge sounding record, and sounds a hell of a lot like Soundgarden. Really good stuff and I'm really keen to check out more of their catalogue at some point

Also, just in case you thought the band may be called 'Skinyard', they added this helpful insert:

Return Of The Frog Queen

I'm a fairly patient guy. Back in 2018 I saw that Sub Pop had repressed the first solo LP by Jeremy Enigk on a very pretty purple marble vinyl, and I wanted a copy. Well, time passed by and eventually, seven years later, and I finally ended up with one.

I stumbled onto this on eBay UK. It was a brand new, sealed copy which cost less than half of what most new records cost these days.

Like a lot of people, I was absolutely obsessed by Sunny Day Real Estate in 1994/95, so when their vocalist came out with a solo LP in 1996, I was pretty excited by it. I have vague memories of regularly listening to it late at night, and every time feeling like I had been on an emotional journey. It's a beautiful record, and even though I do try my best (!) to not pick up additional copies of records that I already have, I could not resist this one. Interestingly, the original catalogue number for this one was SP323, but this remastered purple version is SP1208, so I could argue that this is technically a different record, which of course makes it all ok.

Beefeater

Lately I've been getting more interested in earlier Dischord stuff that I haven't really given much of a chance to before, and the next step in my journey is Beefeater, a band active from 1984 to 1986. I once listened to one of their records around the turn of the century, and back then my thoughts were simply 'what the hell is this?'. The band's description on discogs refers to them as a 'punk/post-hardcore band whose music included elements of funk & jazz', which is not a mix usually associated with records that are considered good. And that was firmly my view in the early 2000s. But recently I gave them a chance and I was blown away at how good they are. Next step was to look to see if their records were available to buy for a reasonable price, and the answer was a big 'yes'... so I grabbed two of them.

The debut LP 'Plays For Lovers' was released in 1985 as Dischord 17. I don't really understand the picture on the front cover, but as I am starting to realise, this is a band that basically just did whatever they wanted without worrying what people might think.

The second LP, 'House Burning Down' was released in 1987 as Dichord 23. When you drop the needle, the first thing you hear is some chap talking.

Hi, this is Ian Mackaye of Dischord Records. I'd just like to thank you for choosing this hardcore product.

Then it launches straight into some hardcore funk fusion type song, which on paper sounds terrible, but is actually really good.

I don't usually listen to two records by one band at the same time, but for some reason at the moment I'm finding this band really addictive. I listen to one, it ends, so I put the other one on. Another great example of my tastes changing over time to the point where I almost feel annoyed at myself for dismissing this so quickly 20+ years ago. But hey, at least I'm learning.